Wanna teach kids how to make videos? The Fleetwood-Jourdain Theatre in Evanston is looking for someone to direct a youth (11-15) video class this summer. This is a full-time gig from July 9th through August 17th, and compensation’s pretty good. Get at me for more info.
Do you edit videos on Final Cut Pro? Do you enjoy video editing? Are you quick, reliable, communicative and professional? Get at me.
This is a paying gig.
Looking for a San Francisco-area DP or camera op, ASAP, for a low-budget/indie documentary on queercore and queer punk rock. Own equipment optional, should be willing to travel (driving from SF to Portland for more shooting), LGBTQ+ affiliation a huge plus. Shooting starts in SF on April 22nd and will wrap in Portland on June 1st. If you or someone you know would be interested, PLEASE shoot me a message - and please reblog to help spread the word!
Thanks so much!
Currently watching: Mega Shark vs Crocosaurus (2010), dir. by Christopher Ray
It’s exactly as good as it sounds.
Trailer for House By The Cemetery (1981), dir. by Lucio Fulci
Who names their kid “Bob”?
Gitcher art on~
L’Etoile de mer (1928), dir. by Man Ray
Starring Kiki de Montparnasse
Trailer for Alps/Αλπεις (2011), dir. by Yorgos Lanthimos
Saw this the other night with my badd boy Chris at the Gene Siskel Film Center. As I just recently watched Lanthimos’s brilliant Dogtooth (also with my badd boy Chris), I immediately recognized Alps as not just a companion piece, but the other - albeit samely blackened and surreal - side of the same coin. I haven’t yet made time to do my write-up on Dogtooth, but I think I’ll make it a double and write about it side-by-side with Alps. I only wish I’d seen the former in theaters, as well - it was a sublime experience to see this sting of a film on a big screen with a mature and discerning audience (something I love about Siskel Center regs).
One thing I can comment on right now, though, is I’ve figured out what surrealism is. Of course I know and have known the definition, but to truly experience surrealism and understand it mentally, emotionally and even physically is, to me, elation. Lanthimos just gets it. Put our character - our ground and control - into a world that looks and sounds like our own, impose heavy social constructs upon this world involving (what we in “reality” recognize as) cardboard dialog and frigid interpersonal relationships, and have absolutely nobody acknowledge that anything is even remotely strange. Ever. In fact, have our main character be so detached that even when she chooses to rebel, she only further alienates us as the audience as she becomes conspicuous to those around her.
Is it chilly in here, or is that just my heart?
I honestly haven’t had such a visceral experience in a movie theater in I don’t know how long. If you see that Alps playing at your local moviehouse, please go see it. I want to hear what you all think after I write my review/analysis.
Chris and I also watched this masterpiece:
Trailer for Hair Extensions/Exte/エクステ (2007), dir. by Shion Sono
This trophy of morbid slapstick is directed by the weirdo that made the infamous Suicide Club. Interestingly, there is nary a fount - barely a trickle, really - of blood to bathe in in Exte, but that makes sense. Replacing the gross-out factor that blood would normally fulfill, is hair; even more hair than there was gore in Suicide Club. Cue creepy squirmy feelings.
Recommended for (intentionally) hilarious dialog, and validation for those who are okay with hating children. Also, Chiaki “GoGo Yubari” Kuriyama.